Why it matters:
Isfahan, often celebrated for its Safavid-era architecture and turquoise domes, is also the cradle of one of Iran’s most emotionally resonant musical traditions: Bayat-e Isfahan. This vocal mode, rooted in the Homayoun Dastgah, has shaped Persian classical music for centuries and continues to influence generations of artists.
Historical context:
During the Safavid era, music was an integral part of courtly life in Isfahan, with princes being trained by local masters.
The city’s musical legacy predates this period, rooted in its role as a cultural crossroads.
In 2011, the Isfahan school of music was officially listed as part of Iran’s National Intangible Cultural Heritage.
Key figures:
Taj Esfahani: Revived the School of Isfahan Singing and mentored legends like Mohammad Reza Shajarian.
Seyed Abdolrahim Esfahani: A master Rouzeh-Khan who shaped a generation of vocalists.
Abdolhossein Barazandeh: Composer of nearly 300 operatic pieces, blending poetry and music.
Mohammad Esfahani: A contemporary artist who bridges classical tradition with modern pop.
Cultural impact:
The school’s repertoire includes melodies from Qashqai, Boyer-Ahmadi, and Dezfuli communities, reflecting Isfahan’s diversity.
Songs like Ghoghaye Setaregan and Atash-e Del remain staples of Iranian emotional expression.
Techniques such as Monaseb-Khani and Tahrir define the school’s poetic and musical refinement.
What’s next:
Experts like Hassan Mansouri advocate for global recognition of the Isfahan school as part of UNESCO’s intangible cultural heritage, citing its centuries-old influence and emotional depth.
Hossein Amiri - ahmad shirzadian
