Why it matters:
The event highlights how political narratives are increasingly being expressed through cultural platforms. It also signals Tehran’s continued efforts to internationalize its message on Palestine via artistic and diplomatic channels.
The big picture:
The Holocide contest, jointly organized by Tehran Municipality and the Islamic Art Bureau, drew artists from across Iran and multiple countries. The theme centered on criticizing Israeli actions in Gaza, casting the event in a politically charged light, particularly given the sensitive merging of “Holocaust” and “genocide” in its title.
What they’re saying:
Organizers described the contest as a fusion of art and global awareness for Gaza. The presence of ambassadors and international participants was framed as validation of the festival’s message.
The name “Holocide” was intended to draw attention to perceived parallels in modern-day injustice.
Key points:
- Artists from Iran and abroad, including Portugal, Venezuela, Turkey, and Lebanon, participated.
- Ten foreign artists and several ambassadors attended the closing ceremony.
- The top prize was awarded to an artist from Turkey.
- Winning works are now on display at the Art Bureau’s gallery.
Go deeper:
The exhibit is open to the public and part of a broader cultural campaign launched in Tehran. The festival’s provocative framing has sparked discussion, with supporters seeing it as resistance art and critics calling the name historically insensitive.
This is part of Tehran’s ongoing effort to use soft power and cultural diplomacy in shaping international discourse on Palestine.
Ashkan Salehian
